Annuario 2014 | Ognuno fa come ***** gli pare

Ancora non ho visto Snowpiercer in nessuna classifica! Ma qualcuno l'ha visto? //content.invisioncic.com/a283374/emoticons/emoticons_dent1005.gif
Clicca per espandere...
nel suo topic qualche commento c'è. io andrò lunedì //content.invisioncic.com/a283374/emoticons/sisi.gif

 
stavo giusto aggiornando

The wolf of Wall street, Martin Scorsese - **** (8,5)

A proposito di Davis, Joel e Ethan Coen - ***½ (8/8,5)

Lei, Spike Jonze - ***½ (8)

Nebraska, Alexander Payne - ***½ (7,5/8)

Dallas buyers club, Jean-Marc Vallée - *** (7/7,5)

Il capitale umano, Paolo Virzì - *** (7)

Smetto quando voglio, Sidney Sibilia - *** (7)

Disconnect, Henry Alex Rubin - *** (7)

Snowpiercer, Bong Joon-ho - **½ (6,5)

Lo sguardo di Satana - Carrie, Kimberly Peirce - **½ (6,5)

All is lost - Tutto è perduto, J.C. Chandor - ** (5)

 
Film visti nel 2014 (qualcuno deve ancora uscire):

Her: 5/5.

Big Bad Wolves: 5/5.

A proposito di Davis: 5/5

Snowpiercer: 4/5.

Smetto quando voglio: 4/5.

The Wolf of Wall Street: 4/5.

American Hustle: 4/5.

The Immigrant: 4/5.

The Lego Movie: 4/5.

Robocop: 3/5.

Saving Mr. Banks: 3/5.

The Spectacular Now: 3/5.

Out of the Furnace: 3/5.

300 l'alba di un impero: 2/5

12 Years a Slave: 2/5.

The Counselor: 2/5.

The Protector 2: 2/5.

Harlock: 2/5.

Un ragionevole dubbio: 1/5.

Carrie: 1/5.

Hercules la leggenda ha inizio: 1/5.

 
Ultima modifica da un moderatore:
Questo Big Bad Wolves è così bello?

 
Questo Big Bad Wolves è così bello?
Clicca per espandere...
Ottimo film, scritto benissimo, c'è molta ironia, il film tratta il tema della pedofilia in modo geniale (Sono riuscito a parlare con il regista, persona umile, disponibile, avrà un futuro).

Per tarantino è il miglior film dell'anno, in questo caso ha ragione, è sicuramente un gran bel film.

Ecco il trailer:



Io sono riuscito a vederlo, bellissimo!

 
Ultima modifica da un moderatore:
1) Philomena, di Frears. [8]

2) Il Capitale Umano, di Virzì. [7.5]

3) The American Hustle, di Russell. [6]

4) Nebraska, di Payne. [8]

5) Le passé, di Farhadi. [8.5]

6) The Wolf of Wall Street, di Scorsese. [8.5]

7) Smetto quando voglio, di Sibilia. [6.5]

8) The Immigrant, di Gray. [7]

9) Her, di Jonze. [9]

10) 12 years a slave, di McQueen. [7]

11) Dallas Buyers Club, di Vallée. [8]

12) The Lego Movie, di Lord e Miller. [7.5]

 
Ultima modifica da un moderatore:
2014-Attrici

​


Amy Adams - Big Eyes

Though she managed her first Best Actress nomination for "American Hustle" after four Supporting nods (in less than a decade), and despite some late momentum, Amy Adams failed to win her first Oscar this year, unable to overcome the Cate Blanchett juggernaut. But that means that the star is increasingly seen as being due, and that would be a powerful force even if her next role didn't seem like it would be an attention-grabber of its own accord. In "Big Eyes," directed by Tim Burton, Adams will play Margaret Keane, whose distinctive paintings were appropriated by her husband Walter (Christoph Waltz), leading to the collapse of their marriage, and a courtroom battle that saw Walter claim she was crazy. It sounds like the kind of downtrodden wife-to-independent woman arc that Adams will do beautifully, and though Burton hasn't been awards-friendly for a long time, this project sees him reunite with the writers of "Ed Wood," which won Martin Landau an Oscar. Whispers are that Adams is terrific in the film (unsurprisingly), and she can't keep missing out forever, so she definitely seems like a force to reckon with in 2014.

Michelle Williams - Suite Francaise

Speaking of being due, there's Michelle Williams. The "Dawson's Creek" star has turned out to be one of the very best actresses of her generation, and has picked up three nods while still being barely into her thirties, and that's without taking into account films like "Wendy And Lucy" and "Take This Waltz," which deserved to fare better with the Academy than they ultimately did. She's teamed up again with The Weinstein Company, who earned her a nod for "My Week With Marilyn" a few years back, for the literary adaptation "Suite Francaise," and it promises to be potent territory, playing Lucille, a woman in occupied France who begins an affair with the German soldier who's taken over her village. Moral issues, World War II and having missed out a number of times worked out nicely for Kate Winslet in "The Reader" a few years back, and unless this misfires in a way that some of the films on the Weinstein's slate did this year (and it's worth noting that even "August: Osage County" received two acting nods), we could well see Williams in there, especially as she seems to be incapable of giving a bad performance.

Jessica Chastain - A Most Violent Year/The Disappearance of Eleanor Rigby

It feels like it was only yesterday that Jessica Chastain turned up on the scene, and already she's had two nominations (for "The Help" and "Zero Dark Thirty"), and gives the impression of someone who's already a fixture in the front row of the Oscars. This time around, she's got not just one, but two chances for a nod. First up, her performance in three-hour, two-part relationship epic "The Disappearance Of Eleanor Rigby" won raves when the film premiered at TIFF, and was picked up by The Weinstein Company, presumably to add to their awards slate. And though it's a fairly modest indie, and doesn't sound like a prime Oscar contender, neither did "Blue Valentine" at the time, but Weinsteins worked hard to get Michelle Williams a nomination a few years back. Even so, there's a back-up plan for Chastain: J.C. Chandor's "A Most Violent Year," in which she stars alongside Oscar Isaaac. She could yet end up in Supporting rather than Lead, but if not, given her usual form, Chandor's track record, and the exciting-sounding material, it would be a role to bet on.

Reese Witherspoon - Wild

It's getting on nine years since Reese Witherspoon won her Best Actress Oscar for "Walk The Line," and it's not been the best nine years of her career. There's been the occasional hit—well, one, "Four Christmases"—but more films along the lines of "Rendition," "How Do You Know" and "This Means War." However Witherspoon's definitely on the comeback trail, working with some top auteurs between last year's "Mud," and this year's "Inherent Vice," but her best shot at another nomination since the Johnny Cash picture comes with "Wild," the based-in-fact story of a woman who, after the death of her mother and the break-up of marriage, treks over a thousand miles across the Pacific Northwest. It sounds like it'll be something of a one-woman show (which has worked out well for James Franco and Sandra Bullock in recent years), and Jean-Marc Vallee, whose "Dallas Buyers Club" won two acting Oscars this year, is helming. The film looks to be one of Fox Searchlight's big prospects for the season, so definitely keep an eye on Witherspoon in the months to come.

Rosamund Pike - Gone Girl

As with "The Girl With The Dragon Tattoo" a few years back, few roles of note recently have been more sought after than that of Amy Dunne in David Fincher's adaptation of thriller phenomenon "Gone Girl." It might sound from the title alone, to the uninitiated, that Rosamund Pike won't be in the film much, but a flashback-heavy structure means she's essentially a co-lead, and she'll certainly be present in the category. And unless Fincher's casting instincts have completely abandoned him, we could well see Pike following in the footsteps of Brad Pitt, Jesse Eisenberg and Rooney Mara, the leads in Fincher's last three pictures, to a nomination. It's a complex, multi-faceted part, and one that should give Pike a huge boost going forward. It's yet to be seen if the film proves to be awards-friendly, but for now there's every reason to think that the actress will be in the game this year.

Hilary Swank - The Homesman

Hilary Swank's career is, quite frankly, a puzzling one. After she won her first Oscar, for "Boys Don't Cry," Swank let her star fade a little for the five following years after a series of misses like "The Affair Of The Necklace" and "The Core," only to return and win a second Oscar for "Million Dollar Baby." The decade or so since has again proved mostly disappointing, with a couple of Oscar possibilities falling short ("Amelia" and "Conviction"), but this year brings her most serious proposition for a while: she's co-starring with Tommy Lee Jones in the actor/director's eagerly-awaited big-screen follow-up to his excellent directorial debut "The Three Burials Of Melquiades Estrada." The pair play a mismatched duo who team up to escort three insane woman from Nebraska to Iowa, and among a strong cast of actresses that includes Hailee Steinfeld, Miranda Otto and Meryl Streep, Swank has the female lead. This doesn't have a U.S. distributor yet, and 'Burials' didn't tick too many awards boxes, but this could be a dark horse to keep an eye on.

Berenice Bejo - The Search

Berenice Bejo scorching, Cannes-winning turn in "The Past"—unfairly overlooked by the Academy this year—proved she was more than just a silent starlet. But Bejo has another chance—she's working with husband and "The Artist" director Michel Hazavanicius, on his remake of Fred Zinnemann's "The Search," in which she plays an NGO employee who helps a young Chechen boy search for his mother. It sounds like potentially tear-jerking fare, and Bejo certainly has the chops for it. It may be that she fits into the supporting category rather than leading again, and it's also feasible that the film turns out to be Hazavancius' equivalent to Roberto Benigni's "Pinocchio." But if Bejo gets Cannes buzz again (the film's rumored to premiere there), the English-language nature of the film makes it more likely than "The Past" to land her a second nomination.

Cate Blanchett/Rooney Mara - Carol

It's taken a little while for Todd Haynes' work to become awards-friendly, but the filmmaker has actually become reasonably reliable recently—his last two theatrical features, "Far From Heaven" and "I'm Not There," earned nods for Julianne Moore and Cate Blanchett, and his most recent work, HBO miniseries "Mildred Pierce," scored a record-breaking 21 Emmy nominations, and prizes for actors Kate Winslet and Guy Pearce. So the news that he's returning to the big-screen, and reteaming with Blanchett for this adaptation of Patricia Highsmith's "Carol," certainly makes it one to watch out for. Blanchett's always worth paying attention to, but co-star Rooney Mara is becoming as consistently excellent as Blanchett, and might be the one to watch out for this film. That's assuming: 1) it hits theaters this year (production only just started) and 2) Mara isn't dropped to supporting in an eventual campaign. But however it shakes out, it's not unthinkable that it'll figure in somewhere.

Carey Mulligan - Suffragette

We feel like "Suffragette" had been rather under the radar as an awards possibility, and then Meryl Streep signed on. But it's not Streep that's likely to be leading the awards run on this—her part is essentially a cameo—instead, it's Carey Mulligan who has the lead role, as a young woman who becomes involved in the fight to get women the vote in England. Mulligan's done so much good work since breaking through in "An Education" that it's almost surprising that she's still only been nominated for that film, but given the subject matter, this seems to give her best chance at a repeat (though Thomas Vinterberg's "Far From The Madding Crowd" is also a possibility, though it's tougher material). It doesn't yet have an American distributor, but it's already set for a U.K. release in early January, so definitely keep this on your list of potentials.

Altre: Natalie Portman(Jane Got a Gun)-Jennifer Lawrence(Serena)

 
Aggiornamento!

1. ****
The Wolf Of Wall Street
- Martin Scorsese
2. ***
Inside Llewin Davis
- Ethan Coen, Joel Coen
3. ***
Nebraska
- Alexander Payne
4. ***
Smetto quando voglio
- Sydney Sibilia
5. **
Tango Libre
- Frédéric Fonteyne
6. **
American Hustle
- David O. Russel
7. **
Dragon Ball Z: La Battaglia Degli Dei
- Masahiro Hosoda
8. *
The Counselor
- Ridley Scott
Forse inferiore a quanto mi aspettassi, rimane comunque una bella storia, di grande sentimento.

 
Ultima modifica da un moderatore:
Cosa aspettarsi dal 2014

​



2014-Attrici

​


Amy Adams - Big Eyes

Though she managed her first Best Actress nomination for "American Hustle" after four Supporting nods (in less than a decade), and despite some late momentum, Amy Adams failed to win her first Oscar this year, unable to overcome the Cate Blanchett juggernaut. But that means that the star is increasingly seen as being due, and that would be a powerful force even if her next role didn't seem like it would be an attention-grabber of its own accord. In "Big Eyes," directed by Tim Burton, Adams will play Margaret Keane, whose distinctive paintings were appropriated by her husband Walter (Christoph Waltz), leading to the collapse of their marriage, and a courtroom battle that saw Walter claim she was crazy. It sounds like the kind of downtrodden wife-to-independent woman arc that Adams will do beautifully, and though Burton hasn't been awards-friendly for a long time, this project sees him reunite with the writers of "Ed Wood," which won Martin Landau an Oscar. Whispers are that Adams is terrific in the film (unsurprisingly), and she can't keep missing out forever, so she definitely seems like a force to reckon with in 2014.

Michelle Williams - Suite Francaise

Speaking of being due, there's Michelle Williams. The "Dawson's Creek" star has turned out to be one of the very best actresses of her generation, and has picked up three nods while still being barely into her thirties, and that's without taking into account films like "Wendy And Lucy" and "Take This Waltz," which deserved to fare better with the Academy than they ultimately did. She's teamed up again with The Weinstein Company, who earned her a nod for "My Week With Marilyn" a few years back, for the literary adaptation "Suite Francaise," and it promises to be potent territory, playing Lucille, a woman in occupied France who begins an affair with the German soldier who's taken over her village. Moral issues, World War II and having missed out a number of times worked out nicely for Kate Winslet in "The Reader" a few years back, and unless this misfires in a way that some of the films on the Weinstein's slate did this year (and it's worth noting that even "August: Osage County" received two acting nods), we could well see Williams in there, especially as she seems to be incapable of giving a bad performance.

Jessica Chastain - A Most Violent Year/The Disappearance of Eleanor Rigby

It feels like it was only yesterday that Jessica Chastain turned up on the scene, and already she's had two nominations (for "The Help" and "Zero Dark Thirty"), and gives the impression of someone who's already a fixture in the front row of the Oscars. This time around, she's got not just one, but two chances for a nod. First up, her performance in three-hour, two-part relationship epic "The Disappearance Of Eleanor Rigby" won raves when the film premiered at TIFF, and was picked up by The Weinstein Company, presumably to add to their awards slate. And though it's a fairly modest indie, and doesn't sound like a prime Oscar contender, neither did "Blue Valentine" at the time, but Weinsteins worked hard to get Michelle Williams a nomination a few years back. Even so, there's a back-up plan for Chastain: J.C. Chandor's "A Most Violent Year," in which she stars alongside Oscar Isaaac. She could yet end up in Supporting rather than Lead, but if not, given her usual form, Chandor's track record, and the exciting-sounding material, it would be a role to bet on.

Reese Witherspoon - Wild

It's getting on nine years since Reese Witherspoon won her Best Actress Oscar for "Walk The Line," and it's not been the best nine years of her career. There's been the occasional hit—well, one, "Four Christmases"—but more films along the lines of "Rendition," "How Do You Know" and "This Means War." However Witherspoon's definitely on the comeback trail, working with some top auteurs between last year's "Mud," and this year's "Inherent Vice," but her best shot at another nomination since the Johnny Cash picture comes with "Wild," the based-in-fact story of a woman who, after the death of her mother and the break-up of marriage, treks over a thousand miles across the Pacific Northwest. It sounds like it'll be something of a one-woman show (which has worked out well for James Franco and Sandra Bullock in recent years), and Jean-Marc Vallee, whose "Dallas Buyers Club" won two acting Oscars this year, is helming. The film looks to be one of Fox Searchlight's big prospects for the season, so definitely keep an eye on Witherspoon in the months to come.

Rosamund Pike - Gone Girl

As with "The Girl With The Dragon Tattoo" a few years back, few roles of note recently have been more sought after than that of Amy Dunne in David Fincher's adaptation of thriller phenomenon "Gone Girl." It might sound from the title alone, to the uninitiated, that Rosamund Pike won't be in the film much, but a flashback-heavy structure means she's essentially a co-lead, and she'll certainly be present in the category. And unless Fincher's casting instincts have completely abandoned him, we could well see Pike following in the footsteps of Brad Pitt, Jesse Eisenberg and Rooney Mara, the leads in Fincher's last three pictures, to a nomination. It's a complex, multi-faceted part, and one that should give Pike a huge boost going forward. It's yet to be seen if the film proves to be awards-friendly, but for now there's every reason to think that the actress will be in the game this year.

Hilary Swank - The Homesman

Hilary Swank's career is, quite frankly, a puzzling one. After she won her first Oscar, for "Boys Don't Cry," Swank let her star fade a little for the five following years after a series of misses like "The Affair Of The Necklace" and "The Core," only to return and win a second Oscar for "Million Dollar Baby." The decade or so since has again proved mostly disappointing, with a couple of Oscar possibilities falling short ("Amelia" and "Conviction"), but this year brings her most serious proposition for a while: she's co-starring with Tommy Lee Jones in the actor/director's eagerly-awaited big-screen follow-up to his excellent directorial debut "The Three Burials Of Melquiades Estrada." The pair play a mismatched duo who team up to escort three insane woman from Nebraska to Iowa, and among a strong cast of actresses that includes Hailee Steinfeld, Miranda Otto and Meryl Streep, Swank has the female lead. This doesn't have a U.S. distributor yet, and 'Burials' didn't tick too many awards boxes, but this could be a dark horse to keep an eye on.

Berenice Bejo - The Search

Berenice Bejo scorching, Cannes-winning turn in "The Past"—unfairly overlooked by the Academy this year—proved she was more than just a silent starlet. But Bejo has another chance—she's working with husband and "The Artist" director Michel Hazavanicius, on his remake of Fred Zinnemann's "The Search," in which she plays an NGO employee who helps a young Chechen boy search for his mother. It sounds like potentially tear-jerking fare, and Bejo certainly has the chops for it. It may be that she fits into the supporting category rather than leading again, and it's also feasible that the film turns out to be Hazavancius' equivalent to Roberto Benigni's "Pinocchio." But if Bejo gets Cannes buzz again (the film's rumored to premiere there), the English-language nature of the film makes it more likely than "The Past" to land her a second nomination.

Cate Blanchett/Rooney Mara - Carol

It's taken a little while for Todd Haynes' work to become awards-friendly, but the filmmaker has actually become reasonably reliable recently—his last two theatrical features, "Far From Heaven" and "I'm Not There," earned nods for Julianne Moore and Cate Blanchett, and his most recent work, HBO miniseries "Mildred Pierce," scored a record-breaking 21 Emmy nominations, and prizes for actors Kate Winslet and Guy Pearce. So the news that he's returning to the big-screen, and reteaming with Blanchett for this adaptation of Patricia Highsmith's "Carol," certainly makes it one to watch out for. Blanchett's always worth paying attention to, but co-star Rooney Mara is becoming as consistently excellent as Blanchett, and might be the one to watch out for this film. That's assuming: 1) it hits theaters this year (production only just started) and 2) Mara isn't dropped to supporting in an eventual campaign. But however it shakes out, it's not unthinkable that it'll figure in somewhere.

Carey Mulligan - Suffragette

We feel like "Suffragette" had been rather under the radar as an awards possibility, and then Meryl Streep signed on. But it's not Streep that's likely to be leading the awards run on this—her part is essentially a cameo—instead, it's Carey Mulligan who has the lead role, as a young woman who becomes involved in the fight to get women the vote in England. Mulligan's done so much good work since breaking through in "An Education" that it's almost surprising that she's still only been nominated for that film, but given the subject matter, this seems to give her best chance at a repeat (though Thomas Vinterberg's "Far From The Madding Crowd" is also a possibility, though it's tougher material). It doesn't yet have an American distributor, but it's already set for a U.K. release in early January, so definitely keep this on your list of potentials.

Altre: Natalie Portman(Jane Got a Gun)-Jennifer Lawrence(Serena)
Clicca per espandere...
Titoli da tenere d'occhio:

Unbroken-I Origins-Rich Hill-Whiplash-Life Itself -True Story-Enemy-Foxcatcher-A Most Violent Year-The Search-Inherent Vice-Gone Girl-The Imitation Game-Trash-Wild-The Disappearance of Eleanor Rigby-Big Eyes-Serena-Deux Jours,Une Nuit-Suffragett -Theory Of Everything-Men, Women & Children-Macbeth-Into The Woods-Under The Skin-Locke-Joe-The Judge- The Grand Budapest Hotel-Boyhood-Midnight Special-While We're Young-A Little Chaos

 
Ultima modifica da un moderatore:
aggiorno con un Verdone purtroppo mediocre, non che mi aspettassi chissà che ma lo smalto dei film migliori è molto lontano e mai ritornerà.

The wolf of Wall street, Martin Scorsese - **** (8,5)

A proposito di Davis, Joel e Ethan Coen - ***½ (8/8,5)

Lei, Spike Jonze - ***½ (8)

Nebraska, Alexander Payne - ***½ (7,5/8)

Dallas buyers club, Jean-Marc Vallée - *** (7/7,5)

Il capitale umano, Paolo Virzì - *** (7)

Smetto quando voglio, Sidney Sibilia - *** (7)

Disconnect, Henry Alex Rubin - *** (7)

Snowpiercer, Bong Joon-ho - **½ (6,5)

Lo sguardo di Satana - Carrie, Kimberly Peirce - **½ (6,5)

Sotto una buona stella, Carlo Verdone - ** (5,5)

All is lost - Tutto è perduto, J.C. Chandor - ** (5)

 
1)Her,Spike Jonze - A-

2)The Wolf of Wall Street,Martin Scorsese - B+

3)Only Lovers Left Alive,Jim Jarmusch - B

4)Short Term 12,Destin Cretton - B

5)All is Lost,J.C. Chandor - B-

6)August:Osage Country,John Wells - B-

7)Nebraska,Alexander Payne - B-

8)Cutie and the Boxer,Zachary Heinzerling - B-

9)Dallas Buyers Club,Jean-Marc Vallée - B-

10)Enough Said,Nicole Holofcener - B-

11)Mother of George,Andrew Dosunmu - B-

12)Le Week-End,Roger Michell - B-

13)In Fear,Jeremy Lovering - B-/C+

14)Better Living Through Chemistry,David Posamentier & Geoff Moore - C+

15)The Armstrong Lie,Alex Gibney - C+

16)In a World,Lake Bell - C+

17)The Immigrant,James Gray - C+

18)12 Years a Slave,Steve McQueen - C+

19)Wadjda,Haifaa al-Mansour - C+

20)Inside Llewyn Davis,Coen - C+

21)Michael Kohlaas, Arnaud Despallières - C+

22)I Used to Be Darker,Matt Porterfield - C+

23)Grand Piano,Eugenio Mira - C+

24)Run & Jump,Steph Green - C+

25)Homefront,Gary Fleder - C

26)Dead Man's Burden,Jared Moshe - C

27)Monuments Men,George Clooney - C-

28)Adult World,Scott Coffey - C-

29)Someone Marry Barry,Rob Pearlstein - C-

30)Afternoon Delight,Jill Soloway - D+

31)American Hustle,David O. Russell - D+

32)Lust for Love,Anton King - F

33)A.C.O.D,Stu Zicherman - F

34)Anna Nicole,Mary Harron - F

 
aggiunti un paio di film e cambiati alcuni voti:

1) inside llewyn davis, di joel e ethan coen - 9

2) the wolf of wall street, di martin scorsese - 9

3) her, di spike jonze - 8

4) nebraska, di alexander payne - 8

5) ida, di pawel pawlikowski - 8

6) snowpiercer, joon-ho bong - 7

7) cutie and the boxer, di zachary heinzerling - 7

8) the broken circle breakdown, di felix van groeningen - 7

9) dallas buyers club, di jean-marc vallée - 7

10) the counselor, di ridley scott - 7

11) short term 12, di destin daniel cretton - 7

12) tir, di alberto fasulo - 7

13) american hustle, di david o. russell - 6

14) il capitale umano, di paolo virzì - 6

 
Aggiorno pure io con le uniche due visioni che ho fatto dall'ultimo post:asd:

1) Capitan Harlock, Shinji Aramaki - 5*

2) American Hustle, David O. Russel - 7*

3) 12 Year a Slave, Steve McQueen - 8

4) Her, Spike Jonze - 9

5) The Wolf of Wall Street, Martin Scorsese - 9*

6) Dallas Buyers Club, Jean-Marc Valleé -7

7) Robocop, José Padilha - 5 *

8) The Broken Circle Breakdown, Felix Van Groeningen - 6

9) Inside Llewyn Davis, Joel and Ethan Coen - 8*

10) Nebraska, Alexander Payne - 7*

11) The Lego Movie, Phil Lord e Chris Miller - 8*

 
Aggiornamento!

1. ****
The Wolf Of Wall Street
- Martin Scorsese
2. ***
Inside Llewin Davis
- Ethan Coen, Joel Coen
3. ***
Tir
- Alberto Fasulo
4. ***
Nebraska
- Alexander Payne
5. ***
Smetto quando voglio
- Sydney Sibilia
6. **
Tango Libre
- Frédéric Fonteyne
7. **
American Hustle
- David O. Russel
8. **
Dragon Ball Z: La Battaglia Degli Dei
- Masahiro Hosoda
9. *
The Counselor
- Ridley Scott
Film di sensazioni, apparentemente scarno di contenuti ma in realtà molto intenso e sentito.

 
Ultima modifica da un moderatore:
1)Her,Spike Jonze - A-

2)The Wolf of Wall Street,Martin Scorsese - B+

3)Only Lovers Left Alive,Jim Jarmusch - B

4)Short Term 12,Destin Cretton - B

5)All is Lost,J.C. Chandor - B-

6)August:Osage Country,John Wells - B-

7)Nebraska,Alexander Payne - B-

8)Cutie and the Boxer,Zachary Heinzerling - B-

9)Nymphomaniac: Vol.I,Lars von Trier - B-

10)Dallas Buyers Club,Jean-Marc Vallée - B-

11)Enough Said,Nicole Holofcener - B-

12)Mother of George,Andrew Dosunmu - B-

13)Le Week-End,Roger Michell - B-

14)Nymphomaniac: Vol.II,Lars von Trier - B-

15)Anchorman 2,Adam McKay - B-

16)In Fear,Jeremy Lovering - B-/C+

17)Better Living Through Chemistry,David Posamentier & Geoff Moore - C+

18)The Armstrong Lie,Alex Gibney - C+

19)In a World,Lake Bell - C+

20)The Immigrant,James Gray - C+

21)12 Years a Slave,Steve McQueen - C+

22)At Middleton,Adam Rodgers - C+

23)Wadjda,Haifaa al-Mansour - C+

24)Inside Llewyn Davis,Coen - C+

25)Michael Kohlaas, Arnaud Despallières - C+

26)I Used to Be Darker,Matt Porterfield - C+

27)Grand Piano,Eugenio Mira - C+

28)Run & Jump,Steph Green - C+

29)Homefront,Gary Fleder - C

30)Dead Man's Burden,Jared Moshe - C

31)Monuments Men,George Clooney - C-

32)Adult World,Scott Coffey - C-

33)Someone Marry Barry,Rob Pearlstein - C-

34)Afternoon Delight,Jill Soloway - D+

35)American Hustle,David O. Russell - D+

36)Lust for Love,Anton King - F

37)A.C.O.D,Stu Zicherman - F

38)Anna Nicole,Mary Harron - F

 
Aggiorno la mia lista:

Film visti nel 2014:

Her: 4/5.

Big Bad Wolves: 4/5.

A proposito di Davis: 4/5.

Ida: 4/5.

Snowpiercer: 4/5.

Smetto quando voglio: 4/5.

The Wolf of Wall Street: 4/5.

American Hustle: 4/5.

The Immigrant: 4/5.

The Lego Movie:4/5.

Only Lovers Left Alive: 3/5.

Robocop: 3/5.

Saving Mr. Banks: 3/5.

The Spectacular Now: 3/5.

Out of the Furnace: 3/5.

Need for Speed: 2/5.

300 l'alba di un impero: 2/5.

12 Years a Slave: 2/5.

The Counselor: 2/5.

The Protector 2: 2/5.

Harlock: 2/5.

Un ragionevole dubbio: 1/5.

Carrie: 1/5.

Hercules la leggenda ha inizio: 1/5.

 
Ultima modifica da un moderatore:
1) The Wolf of Wall Street, Martin Scorsese ***+

2) Lei, Spike Jonze ****+

3) Il grande Match, Peter Segal *

4) RoboCop, Josè Padilha *

5) Lo sguardo di Satana - Carrie, Kimberly Peirce **


6) Fotti la notizia, Adam Mckay ***+


7) Only Lovers Left Alive, Jim Jarmusch ***

 
1. Her, Spike Jonze ***

2. The Broken Circle Breakdown, Felix Van Groeningen **

3. The Wolf of Wall Street, Martin Scorsese ****

4. Carrie, Kimberly Peirce *

5. Snowpiercer, Bong Joon-ho ***

6. Nymphomaniac, Lars von Trier ****

7. Journey to the West, Tsai Ming-liang *****

Aggiornato, con anche qualche voto sistemato //content.invisioncic.com/a283374/emoticons/sisi.gif

 
Ultima modifica da un moderatore:
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