TYPE-MOON General | Nasuverse, Kara no Kyōkai, Tsukihime, Melty Blood, Fate/, Mahōtsukai no Yoru

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Speriamo Narita l'abbia finito e debba solo scriverlo, altrimenti ce lo ritroviamo monco.



Sawano ed A-1 daje!
 
È da incrociare tutto l'incrociabile.
E dopo quello, anche per un adattamento di livello. C'è molto da animare. Più di Apocrypha che già aveva importanti tagli.
 
Thanks :gogogo:
 
Free info (spoiler tsuki remake) su Zelretch dal TM Manuscript del Comiket.

  • Zelretch was not turned by CM, but by the previous No.3 Ancestor
  • Zelretch used to have blond hair before growing old
  • The Second Magic works through jewels. Zelretch connects to jewels in another parallel universe, and connect his soul to them until he takes their place. Once he leaves that parallel dimension, his body turns back to jewels.
  • The Second Magic's establishment lead to the further survival of mankind, by expanding the possibilities allowed by it.
  • Zelretch was one of Solomon's pupils
  • Brishisan (here spelled alternatively as ブリサン rather than ブリシサン, perhaps someone else?) founded the Association with some help from Zelretch.
  • Zelretch made some sort of promise with Yumina that makes him feel like occasionally helping out the Association.
  • Zelretch goes to tea-parties with the "3 idiots Agape, Caubac and Lovematroos", all Dead Apostles.
  • Zelretch describes Christianity as a "Mankind Expansion Manual"

 
Ultima modifica:
Sono tentatissimo :bruniii:
 
Tanti spoiler su Tsuki.

Zelretch Kishur Schweinorg

Overview
The Wizard Marshall. One of the oldest mages, having been active since before the common era.
When the war between Crimson Moon and the Mages Association broke out around 300 AD, the mages were too preoccupied with their own single-player antics to be able to function as an army, so Zelretch took them by the neck and unified them, becoming feared as the Wizard Marshall in the process.
He repelled Crimson Moon, but in the process the #3 of the 27 Dead Apostle Ancestors charged him and sucked his blood, and though he defeated this one too, he was ultimately turned into a Dead Apostle.
Afterward, he was to become mankind’s enemy, unable to oppose Crimson Moon… but he just thought ‘I wasn’t mankind’s ally to begin with—kinda just wanna go retire’, taking the opportunity to disappear from the center stage of magecraft.

After becoming one of the 27 Ancestors, he came to understand Crimson Moon’s views, and began hating him even further.
On the other hand, after comprehending the system behind the 27 Ancestors, he became aware of the other Ancestors’ way of being, and so stopped hating vampires themselves. After all, some of the Ancestors were far more pure in their scholarship compared to the Mages Association’s advocates of pre-established privileges.

Appearance
From his outward appearance he looks like to be in his 60s. His facial features are Germanic.
He is a stern-looking elder, his gray (originally blond) hair in a dishevelled back sweep, though on account of his youthful expressions, he can also look to be in his fifties.
190 cm tall, well-built, with excellent posture—the very stereotype of an esteemed military-man.
Consult the picture book that came with the Tsukihime anime as a bonus prologue for how his clothes look.

Personality
Lawful Good.
Extroverted, self-assured, proactive.
A thoughtful sage—one who assesses the whole and imagines a bright future. Though he has a scary look that makes others distance themselves from him, he is a man of social justice and has good and honest morals.
However, though he has them, that doesn’t mean he applies them to himself, and is rather a man of freedom who does whatever he likes.
“I’ll force rules upon the Mages Association for the sake of a brighter future, but I never said I’d follow those rules myself” is something he actually follows through with.
He has the same attitude as a grandpa who often laughs as he watches over the life of his mischievous grandchild.
Though he is an observer, he will still butt into arguments (in fact, if someone is about to make a blunder, he will warn them, a smile on his face), and if he realizes things are about to spill over onto him, he will childishly hinder it with full force. That’s the kind of adult he is.
Zelretch generally sees himself as an alumnus who has already graduated from ‘Earth Academy’. Meaning, as long as the academy itself doesn’t go under, he will just warmly watch on from afar at the various problems afflicting it—broad-mindedly thinking something like “I did about the same when I was young”
The highlight of Zelretch’s life was his showdown with Crimson Moon, so everything beyond that he sees as nothing more than ‘the rest of his days’.
Although, that is precisely why he’s very proactive when it comes to assessing the situation surrounding Crimson Moon. One could see it as taking care of the aftermath of his adolescent period. The reason Zelretch headed for the castle of the True Ancestors and blessed the birth of Arcueid was because she was the factor who would take his place in bringing an end to the Crimson Moon problem.

Manner of Talking
His first-person pronoun is ‘washi’.
He calls people by their personal name. If he has respect for someone of a more noble personage, he will use their appropriate title of honor—‘princess’, ‘king’ and so forth.
If who he’s talking to is someone he personally likes, he may go as far inadvertently calling them “omae-san”.
He does not use ‘~ja’ or ‘‘~jawai’ or such, at the end of his sentences.
He speaks like a dignified elder, but try to keep in mind that his sentences are a bit youthful here and there.
“I intended to remain youthful forever, but it didn’t quite go as I wanted”
The ideal is to avoid long sentences—make him come through with each individual word.

Abilities
The father of jewel magecraft—to store magical energy in minerals, stabilize them and use it for various applications in life and for supporting civilization.
Even if we assume that the Earth did not fall into the hands of humanity—remaining in the Age of Gods—he might have still piloted rockets using just his jewels.

The Second Magic concerns the attestation and application of parallel worlds.
By making it possible to travel to parallel worlds, he proved that there is still room for the world to develop in different ways.
Thanks to this, the world’s lifespan has been extended. Even if our history fails, and we destroy ourselves, there might still be others of us out there—this concept granted hope to the planet, which had been in the process of losing its dreams.
Zelretch’s method for travelling through parallel words is a simple one—he transfers himself to a jewel in a different temporal axis.
For example: if he wants to transfer from World A to World B, he will gather jewels in World B until they gather up enough to take Zelretch’s shape, and then Zelretch’s soul will transfer over. In an instant, the jewel golem transforms into Zelretch. At that point, the Zelretch in World A will turn back into its original form as a pile of jewels.
As long as minerals and jewels exist there, he can travel into any world he wishes, but as he only has a single soul, he cannot be active in all of them at once.
He originally travelled with just his physical body, but because of various circumstances he eventually settled for this method as it was the easiest.
In addition, as a small amount of time lag occurs when he travels, he is also capable of a tiny bit of time travel as well.
To answer the question of ‘if he doesn’t travel with his physical body, how could he be a Dead Apostle?’—as someone who has inherited the Hemonomic Principle of one of the 27 Ancestors, he has been corrupted on the soul-level, so it's impossible for him not to be.
Vampirification is not the transformation of the body, but of existence. It’s like if the entry in the Akashic Records that read ‘human’ changed class to ‘Dead Apostle’—to become a vampire in one’s very being.

Career
One of the oldest mages, having been active since B.C. Also one of King Solomon’s pupils.
After Solomon died, he witnessed the end of the Age of Gods himself, and disappeared from the center stage.
Afterward, when one of his fellow students (Brissan*) was starting up the Mages Association, he helped out in laying its foundations.
As a result, the mages who had not perished became involved in the war against Crimson Moon 200 years later. In this battle, Zelretch transformed from human to Dead Apostle.
He has been observing many different parallel words ever since, detachedly spectating the course of their events.

Standing
Attitude toward the Mages Association:

Due to his promise with Yumina, and the fact that he is old acquaintances with the headmaster, he shows up now and then to act as an advisor for them. He has accepted the weakening of mage ideals as something that happens. However, if some weakling comes before him and starts going off about their own theories he will beat them and their weak character into shape.
When there are issues concerning Magic, he appears before the Association and delivers fair and just judgment.

Attitude toward the Holy Church
He does not concern himself with them in the slightest.

Attitude toward the Dead Apostles
He does not interfere with them as long as they do not cause some particularly large-scale mischief.
He has seen through the mechanisms behind the 27 Ancestors, but has deliberately chosen to quietly observe them. He is tea-drinking companions with the three idiots of Agape, Lovematroos and Caubac. Rumors have it that he becomes like a simple grandpa doting on his grandchild when dealing with Agape.

Attitude toward the True Ancestors
Zelretch is highly regarded among the True Ancestors as he is one of the most prominent mages in the human world.
Zelretch, on account of having been alive since before the common era, is friendly with the elementals known as the True Ancestors, and often provides them with counsel:
“Kishua, hey, listen. You know that ‘Christianity’ thing humans are doing among each other? What’s that? A new type of magecraft system?
“That’s a detailed Manual to Mankind’s Prosperity. It will one day even turn out to be a best-seller. Well, it’s for the best if you don’t know much about it. You’d probably lose your minds.
“I see, if you say so, then it’s probably true. By the way, I’d like to try a bit of that wine they make in Bourgogne. Could you get some?
Stuff like this.

Attitude toward Rin
‘Tohsaka’s descendants sure did well! Alright, there aren’t any Magician seats left, but I will hammer some unreasonably difficult magecraft into you! They’re things I’ve worked out but unfortunately never taught anyone!’ So he goes, a bit happily.
Anyone who is a Magician’s pupil is first started off with a living hell where they might accidentally destroy the universe—like with Aoko from Mahoyo. Although Rin never minded it that much, instead simply tilting her head, wondering if maybe she had just had some kind of tremendously hellish thing shown to her, after which she kept puking for a whole month.

Caubac Alcatraz

Ranked 27 among the 27 Dead Apostle Ancestors.
His Idea Blood is a "failed product" or perhaps simply "unneeded".
A vampire who was a believer to the church before turning Dead Apostle.
The Crimson Moon made him lose heart shortly before the transition to AD, but the Crimson Moon also saw potential in him and gave him his pure blood, turning him into an Ancestor.
Since then, he has been holed up in an underground cavern lamenting his vampiric transformation, since he was too ashamed to go see his pious companions, not to mention they would kill him on the spot if they saw what he turned into.
Later a lot happened, leading him to build the great labyrinth of Alcatraz.

Somewhen around the year 1000AD, he completed the Triten scripture.
No one saw him ever since.
The Holy Church and the vampire society believe that he built his castle to protect his written truth, the Triten scripture, and when he got that done, a random dimensional distortion turned the castle into some amazing labyrinth not even he can escape.

He turned himself into an inorganic object out of hatred for his body's need to suck blood to extend his life.
He takes the appearance of an ordinary padlock.

In Mahou Tsukai no Hako, it was established that Hibiki is an artificial lifeform (the Triten) who turned human and got lost among the people there.

Our world was created by the Lord, and its surface is covered in His love. The way humans go hog wild over food and whatnot is also because of Lord's love. The Lord's love is like, super immeasurable to human beings.

Under the thoughts quoted above, he comprehended the Lord's love and wrote it down. That's what the Triten scripture is.

The punchline here is there on proofread, he realized that he made a model of the universe.
He obviously wasn't trying to create a model of the universe, but that was the final result of what he tried to make.
By reaching the conclusion that the universe is direct proof of the Lord's love, Caubac established he was right and built his labyrinth in order to hide his super ultra awesome treasure literally anyone would desire.
By the way, the labyrinth was made using the same techniques used to make Triten. For that reason, it's constantly expanding at the same speed that the universe expands. Super inescapable.

Now, the following section is about progress caused by the events of Mahou Tsukai no Hako:
Caubac had complete faith in Triten, but he took his eyes away for one moment and Triten disappeared from its storage and went to be human in some Japanese café.
Triten was supposed to be his proof, Triten = the Lord's love, and yet the result of its evolution was a human being!
No true Catholics would see God inside themselves.
Caubac shat himself from shock when he learned about Hibiki.
"In my attempts to prove God is real, I proved that He isn't."

※Addendum:
The following thoughts are the reasons why he considers Triten a mistake:
  • We must not see God in ourselves.
  • We must not pray for our own benefit. (Prayers are for the Lord's benefit. It's wrong to pray out of desire for salvation. You pray only for the Lord. Caubac's mindset is the same as Caren's.)
  • The Lord's love is absolute and must never be questioned. Therefore we must not wish for the Lord to exist in any form different from the forms described in the scriptures.
God's Love = the world.
The fact that we're alive is a manifestation of His love and no matter how much suffering there is in the world, it's all part of grand system of God's deeds (love).


The world is a product of the Lord's thoughts.
Upon closer inspection of the components of the human being (body, mind, and soul), Caubac had the idea that he could prove the Lord's love by replicating all these components in text form.
He then started building his model from all possible accounts, probed into His whole Creation, gave it shape, and ended up with a model of the universe. (He didn't notice it was a model of the universe until it was complete)
And the fact that this universe was functional (even if there was no life in it) was all he needed to go ultra-convinced on his assumption that the Lord's love was real and that it approved his project.
Caubac built his labyrinth to protect this treasure. (Not because he was afraid of it being misused, simply because he was afraid of it being stolen from him)
He believed Triten was the only thing he needed in the whole wide world.
To be fair, that practically completed his purpose as a Dead Apostle as well, leaving him in a complete NEET state. He was right about Triten being the only thing he ever needed.
But imagine the panic when he found out Triten was operating as a human being.
It's the level of shock you get when your computer gets infected by a virus from a porn site.
He made a perfect image of God, and then it turned human.
Would that mean God is human?
That God is made from humans?
God eventually becomes human?
None of these options were possible. There is no God in humans.
But Triten became human.
The conclusion here is that human beings were all there was to the universe.
= God doesn't exist.

After approaching this line of argument, Caubac practically stopped thinking.
His strong will and proneness to delusion kept him on his feet, although in an unmoving state.


One more time. I need to see Triten one more time. I could have just made a mistake somewhere along the way. Or maybe Triten really is... No, forget that thought.

And so he started looking for Hibiki. That's the whole backstory for Mahou Tsukai no Hako.

※Completing his "Or maybe Triten really is..." sentence:

Triten was a model for the universe with no life in it. (The word "life" here refers specifically to intelligent lifeforms capable of self-evolution.)
But in the process of its expansion, the universe birthed lifeforms.
That is God's true deed.
If Triten, an in-depth inspection of the Lord's love, birthed a human being, that's evidence pointing to the thought that the world is made from the Lord's love.
I knew I was right!
But... the problem is that by creating Triten, I kinda violated the creed that we mustn't create God. Actually, if a human can create God, then...

He got lost in this labyrinth of thought.


All that said, even if Hibiki is indeed Triten (God), Caubac would deny the notion on the logic that "God is an omnipresent essence, not something with a physical presence".

God's love exists.
But it can't take a human form.
It can't take a form humans can comprehend.
He can't be alive.

Above is an example of cool speech he would to reject Hibiki's nature or pretend he never saw it.
...This is the story of how he ruined his own beliefs and came out of his 2000-year-long battle in total denial, but even after all this, he still prioritized the ideal form of God's love over his own happiness and salvation.

Worldbuilding
In our latest work TsukiRE, the worldbuilding inherited from the previous version has been updated to be deeper and more modern.
There are a few things that are not going to be revealed yet,
but I would like to introduce some things that were part of that update.

Setting

The city goes by the name of Souya.
In the old version, we used a provincial city as the setting, but now it’s been changed to an urban one. A fantastic place, neighboring a gigantic factory about four stations away, reminiscent of the Tokyo-Yokahama Industrial Area.
The protagonist’s highschool lies close to a residential area far from the station, so he does not hang out there on his way home from school. On the ends of this residential district lies a forest that has been there since ancient times, and by this forest’s entrance lies the mansion of the great landowner Tohno family.

Mystic Eyes of Death Perception

The peculiar ability possessed by the protagonist Shiki. Categorized as a psychic ability.
He can see the normally imperceivable ‘lines of death’, something akin to the point of collapse in all things.
These lines of death are like seams, which means all it takes to sever an object is to run a blade through them.
The strength and hardness of the object does not matter. No matter how hard or frail, the feeling is always the same. Perceivable = Cuttable.
In addition, as things dismembered by the lines of death ‘kills’ that specific part, no healing is possible. This is because the severed part has died on the existential level, even if it only looks like it has been cut.

Shiki is a living being and thus able to better understand the death of things that are alive just as he is—this is why he unconsciously perceives the lines of death of the living.
However, Shiki himself can stress his consciousness and overexert his eyeballs to visualize even the ordinarily incomprehensible lines of death on inanimate objects, through which he can perceive even the ‘death of space—death of existence’, as an ultimate locality. (Shiki’s brain is unable to withstand seeing the lines to this level)

In addition to the lines of death, there are the points of death, which stand above the lines.
If the lines of death are blood vessels, the points of death are hearts.
Those that have had their point of death pierced are killed in literally a single strike. Just as in the case with the ‘death of space’, Shiki has to overexert himself, or else he cannot see them.

An important point is that while the lines of death exist in all things, there are differences in how distinct they are.
Putting it simply: the lines of death are lifespan.
He can easily perceive the death of humans who only have the lifespan of about fifty to a hundred years, but it is difficult for him to perceive the death of existences who possess a lifespan in the hundreds or thousands of years.
Meaning, as long as he is trying to perceive the concept of death as a shape, he cannot quite so readily grasp it coming from things that are difficult to kill.
This is the reasoning behind why when Shiki is up against Greater Dead Apostles or Arcueid in the story, he has to push his consciousness to the limit if he wants to perceive their deaths.

(*Greater Dead Apostles are ‘hard to kill’, while Arcueid ‘cannot die’. Shiki’s murder of Arcueid in the beginning of the game made the impossible possible. In the Tsukihime world, things like Arcueid dying or Arcueid being killed were events outside of what was normal.)

Psychic Abilities

Special abilities endowed to the body from birth such as those possessed by Shiki, Kohaku and Hisui are known as physic abilities.
They are impossible to gain after birth through either training or study.
Through successive inbreeding, it is possible to pass on these psychic abilities to some extent, even if it is not possible to perfectly reproduce the ability possessed by the parent.
Shiki, who comes from a clan known as Nanaya that have passed along a mutant gene, could be seen as an even further mutation.
(*The Nanayas’ special ability is not associated with ‘death’, but rather concerns ‘karma’. The reason this altered into ‘death’ with Shiki is because of his near-death experience)

Mixbloods

Those that have inherited the blood of ancient purebloods, like the Tohno and Saiki.
Pureblooded species are non-humans (oni-kind), or alternatively those that have strayed from being human and turned into onis.
As they have inherited the role of nature’s sense of touch (output devices), they have abilities different from those of psychic ones.
Psychic abilities are ultimately something which the human performs on their own, while the abilities gained through mixed blood is natural interference/natural contact—not something manifested by just one’s own personal abilities (one’s brain).
In addition, psychic abilities (generally) abide by physical laws, while the abilities of mixbloods often do not. Fantastic stories, folklore, tales of old—in order words, unnatural phenomena which cannot occur in reality.
Psychic abilities and mixbloods have a relationship similar to that of magecraft and magic.

Magecraft and Hexcraft

Technology used by Ciel and Roa. Known as magecraft—spatial interference and application methods based on rituals (systems).
Anyone can use it with enough training, but the potency depends on the individual’s own qualities (the number and quality of their Magic Circuits).
In the story of Tsukihime, runes, kabbalah, hexcraft, witchcraft, wonderworking, etc, are all bundled together as magecraft. Xian arts and esoteric buddhism are also included in this, but as they are part of a different faction, they are not brought up in Tsukihime.
It is basically all-purpose, but cannot make the impossible possible.
At the end of the day, magecraft is a technique for abbreviating the processes of methods possible to the individual themselves.
Even if there was magecraft that allowed one to go to the moon, it would still require preparation with costs on par with—or even exceeding—that of actually creating a rocket.
“Sure, it’s amazing being able to shoot fire from one’s hands—but nothing more than just amazing. If all you wanna do is shoot some fire, wouldn’t it be more efficient to just bring a blowtorch?”
This is the simplest explanation you can give regarding magecraft in TYPE-MOON lore.
You could say that magecraft is something which modern science can substitute for.
But you could also say that magecraft can substitute for science.
Seperate from this, that which can perform things impossible to realize through modern human technology is what is called Magic.
By the time of Tsukihime’s story, that which can be called Magic have decreased to five.

True Ancestors

Those treated as the ‘original bloodsuckers’ in the Tsukihime world.
They are the cause of the vampires who run rampant among the public, even if the True Ancestors themselves are a far cry from the common perception people have surrounding vampires.
They are few in number and exceedingly close to immortal.
Even if they are exposed to sunlight, it would only ever give them slight anemia, and they are not affected by the cleansing rites employed by any religions either.
True Ancestors are not individuals independent of the natural world like humans, but an older species still at one with nature.
That they’re often misunderstood as undying and eternally youthful is because they are the planet’s sense of touch. In the first place their time-scale is different from that of humans.
Their lifespan is naturally immense; its limits, so to speak, are only those of nature itself. True Ancestors and fairies are something akin to the planet’s white blood cells. So they possess abilities sufficient to exterminate any of the various factors which would do harm to the planet.
However, at the time of their birth, a singular error occurred within them.
Probably due to the influence of that after which they were modeled.
They turned out to possess the desire—the primordial, survival-oriented desire—to ingest the blood of intelligent lifeforms.
Moreover, because they were incarnated as protectors, their objectivity was diluted. They gained autonomy, as one of the many species living on the planet. Basically, they came in possession of a sense of values closer to that of a human’s.

As they have ceased to be free of self-interest—such as noncorporeal elementals ought to be—they have lost sight of their role as protectors, to the point that among them some have even become like humans, and gained independence from the natural world.
Those known as the True Ancestors have no limits.
As a result of being provided back-up from the planet, if the need should arise, they can strengthen their abilities until that need is met. (However, the amount and speed that each True Ancestor can increase it by differs per individual)
In addition, the power of their will is enough to take actual form, meaning that the thoughts of the True Ancestor becomes a weapon on its own, influencing even the world.
Fantasy Materialization—also known as Marble Phantasm—the reformulation of the world through probabilistic fluctuations.
However, they cannot directly interfere with individuals that have become independent from the world like humans or animals. Humans have weakened by distancing themselves from nature, but at same time, will not perish even if nature itself does—obtaining absolute freedom. At the end of the day, Marble Phantasm can only freely exert change unto the environment and the situation.
As a slight digression, if the ridiculous situation of a castle appearing in the middle of a city at night was to occur, this is thought to be because the vampire (True Ancestor) suzerain of it willed it into creation.

The True Ancestors are a species which are practically gods, but they do have a flaw.
Though True Ancestors, they are still bloodsuckers. It is the very act of sucking blood itself which serves as their silver stake to the heart.
Though they are the cause that created the vampires (Dead Apostle) on Earth, they themselves have absolutely no need for drinking blood to continue living. The energy they need for that they can get through the ingestion of calories.
That said, they cannot go against their instinct as a species (to ingest and partake in the information of intelligent life = bloodsucking), which results in them sucking the blood of humans.
They execute humans in order to bring harmony to nature—though in actuality, they need them more than anything else in order to fulfill their own desires.
This contradiction causes the minds of these proud beings to collapse in on themselves. The more blood these proud elementals suck, the more they degenerate into beasts, craving pleasure the same as any human would.

This degeneration is rightly called ‘falling to evil’.
True Ancestors which have this happen to them forget the consciousness they have birthed for themselves and become a powerful vampire who begins corrupting the world.
As they do not have lifespans, ‘to lose sight of their values’ is the same as their ‘death of self’.
In order to prevent this death of consciousness, True Ancestors use a large part of their abilities to inhibit their vampiric urges.
The longer they withstand their desire to suck blood, the more it grows, yet they keep suppressing it—an unending battle of perseverance. By slamming the tremendous power of their will up against their own mind, they can control their desire to drink human blood.
Invariably, as they hold back on sucking blood more and more, the time eventually comes when they realize that they cannot suppress their vampiric urges any longer and so they enter into an eternal sleep by their own will. This is the activity threshold for those with an endless lifespan—one could perhaps say it is what humans would actually call their lifespan.

Dead Apostles

Something much like what the public at large imagines of a vampire.
Weak to sunlight, sucks human blood, transforms into beasts or mist and is immortal.
Called vampires in the game out of a consideration to make things easier to understand.
*However, the creature known as the vampire started being talked about in the 1900s. In real folklore, they are actually the monster with the least pedigree. In contrast, werewolves, who are often seen as their henchmen, are a monster passed down from days of old—in fact, parts of what the vampire was modeled after was taken from the characteristics of werewolves.
That’s why in the world of Tsukihime, they are more properly treated as bloodsuckers—the general term for things that suck blood from their own kind.

Dead Apostles are—just as one would imagine from their name—dead. They are divided into those that have been transformed into one by some kind of magecraft, and those that have had their blood sucked by a True Ancestor, and become its puppet.
Unlike True Ancestors, both of these kinds have to suck human blood in order to survive. Blood is considered a necessity for their vital activities.
They are also weak to sunlight, and as they are unable to completely rid themselves of the shared awareness of being human, they are defeated when faced with religious cleansing rites.

fonte :https://forums.nrvnqsr.com/showthread.php/9334-TM-Manuscript【型月稿本】-KATATSUKI-KOUHON?p=3215396&viewfull=1#post3215396
 
Ultima modifica:
Questa è pornografia :saw:
 
Secondo me è sempre tempo per una route di Fate :unsisi:. Son soldi facili.
Però sì avrebbe bisogno di un'influenza di Nasu importante, come lui stesso disse essendo pensata per essere una sua introduzione molti dei suoi infodump sarebbero ridondanti.
 
Secondo me è sempre tempo per una route di Fate :unsisi:. Son soldi facili.
Però sì avrebbe bisogno di un'influenza di Nasu importante, come lui stesso disse essendo pensata per essere una sua introduzione molti dei suoi infodump sarebbero ridondanti.
Dovresti riscrivere totalmente la route.

Non solo, come detto da nasu, nel rapporto tra Shirou e Saber ma proprio la natura stessa della route. Andava bene se fosse stata adattata per prima ma ormai sarebbe, come detto da te, roba ripetuta e superflua.

Quindi o rielabori l'intera route oppure dovresti tagliare tutto questo e finire per avere una route con poco contenuto.


La gestione dei prodotti animati, sia con la serie base che con grand order, è stata proprio no sense. :asd:
 
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